A while back, Dan Kobza, Dan Wyche, and I had a Philosophical Research Group on "Planes, Trains, and Automobiles," which was really rich and metaphoric. The Dans really exploded on me— I couldn't keep up. So, I'll bring up some themes, and they will have to help me in remembering the details.
I particularly enjoyed the line of metaphor that established Trains as representative of the Past; and Planes, as representatives of the Future, even down to the Train Stations as Monuments and as History-in-a-Bell-Jar, and the throwbacks in the manners and uniforms of the employees. Airports were, on the other hand, pushed toward the aesthetic of space travel, or at least the kind of hurried modernity we get in Modern Times. This representation is, in many ways, mythic. Trains, Mr. Wyche remarked, were something of legend and comparable to dragons: living in dark tunnels, roaring through the wilderness, breathing smoke and fire. And after last summer, spending several evenings hiding in niches in the train tunnels by the art museum, I promise you the comparison works on almost every level. Not just a machine, but a god.
The actual act of riding in a train, of staring out the window and thinking, is like the act of reminiscence. Where the spatial landscape of experience, at every point, can be matched up with a point in time. Air travel, even with window seats, is more akin to our orientation with the future. Anticipation, with some vague understanding of how the next few hours will unfold, a destination, a plan in which we currently engaged.
So we can speak about different phenomenologies of travel— very diverse ones, I'd say. Especially, in how much we control and how much we are engaged with the landscape as we move through it. For instance, the plane is very much like a subway, in that the move is discontinuous. We are here now; there then. There is little sense of the in-between, of Time pairing up with Space in smooth continuum. Automobiles are very continuous, however, able to even backtrack, find nooks and crannies, come to a halt, in a lot or in traffic. Plus, they are more autonomous, and are seen more as extensions of the human body— like bicycles, motorcycles, and the body walking. Trains, planes, and subways are more or less moving rooms— or at the extreme, we have things like aircraft carriers or cruiseliners, that as far as direct experience goes pretty much negate the sensation of movement in travel.
The phenomenology of travel has its categories then for each mode of transportation: autonomy, continuity, movement, distance from environment, relationship to and with vehicle (which of course also depends on being a passenger versus driver), but what else? I'm not sure I would include speed, since the sense of speed depends on the vehicle— but each vehicle can seem fast or slow, depending. I would include danger, though, real or imagined. Especially each type of vehicle's relationship to Death. In a previous essay, on clouds, I wrote: "Airflight, in itself, always reveals something the psyche. Man knows— or atleast his body and his psyche know— that he's trespasser in the sky. Like a busload of little Icaruses. Airflight is so routine and so business-like, that we should've, as a race, fully adjusted by now. But we haven't. And the pretense of routine come loose with the slightest jolt. A few engine burps or some real turbulence, and the head of Death suddenly appears to the passengers, even to people like me, who are not afraid of flying. Half the cabin mutters paternosters and their armpits reek of fear. Mothers hug children. Flights are just caricatured versions of our day-to-day suppression of the Death-head, occasionally serrated by an unexpected momento mori."
I even suspect that this anxiety (and sense of trespass) informs our attitude towards airport security and terrorism in the skies— that the myopic hysteria over Airline Terror is pushed and prodded by a fear of flying rather than fear of death, in itself. "Yeah, Check that guy. We're already pushing our luck."
Not with automobiles, for some reason, though. The Deathhead, is fully out of mind, even when it's not out-of-sight. We can pass the carnage of a ten-car pile-up— with blood mixing with gasoline on the shoulder lane— and still not put on our seatbelts. Our fears are irrationally allayed in automobiles, and why? Maybe because it is routine and autonomous. We can handle more death and danger, if control is in our hands— as opposed to the swift, almost cosmic, injustice of plane crashes, which are not the effects of our actions. But motorcycles— motorcycles are such supreme autonomy. Complete analogue to action, the perfect vehicle for flaunting the possibility of Death. No shell, no mediation with environment.
I will stop here, though. And wait for some others to chime in on any form of transportation, and their experience and meanings and possibilities.
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